Aperture and build quality are not really of consideration here. What you need is a versatile, sharp and wide lens. You might opt for a tilt-shift. They give you excellent image quality, advanced controls, and distortion-free results — for a high price. Canon and Nikon both make fantastic tilt-shifts, often for astronomic prices. Samyang, a third party manufacturer, offers less expensive options which still give you a lot of value.
For landscapes, you inevitably need a wide angle lens. Instead, size, weight, image quality and weather sealing are. Learn the ins and outs of landscape photography in our Simply Stunning Landscapes course. These fields among other gear require fast and wide lenses. You have to be ready for numerous possible lighting and action situations. Use wide angle lenses when you need to capture the all-encompassing shot.
You can choose a wide zoom lens. These are all versatile, well-built and provide adequate image quality, but are all serious investments.
To capture moving subjects in low light, you still have to raise the ISO quite a bit — resulting in more noise. The way I prefer is going with wide aperture primes. Tamron recently brought out their own , which I like a lot. Follow our guide in the Milky Way Mastery course to know all about this field, and the use of wide angle lenses in it. If you were to use a standard 50mm lens, for example, you would have to shoot a few dozen images and stitch them together for a 16mm view.
Six to eight images may be enough to cover 28mm. If you have the time, the non-moving subject, and the effort required, you can be quite successful with this. Your combined image will also have a much higher resolution than a single shot. You can use it to replicate the shallow depth-of-field look of large formats. The pioneer of this technique is Ryan Brenizer, a wedding photographer from New York. He achieves impressive background separation and wide angles simultaneously with it.
Of course, other photographers also borrow his trick. It takes time to perfect particularly with portraits , but the results are rewarding. Beginner photographers often neglect wide angle lenses. But they are powerful tools of expression, providing options that no other lens type is capable of.
Wide angle lenses can also pose challenges. Wide angle lenses will allow you to capture incredible depth of field. I hope that this article has given you a few ideas about what you should avoid and what you should look for instead when you have a wide angle lens mounted to your camera!
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Book your trip now. Iceland Photo Tours. Verified Expert. Learn more. Popular articles. Landscape Photography in the Lofoten Islands of Norway With its dramatic and largely untouched Arctic landscape and immensely scenic viewpoints, Lofoten is arguably one of the best locations in the world in regards to photography. Adding the midnight sun Interview with Erin Babnik Landscape photography is as much of an art form as any other genre; just ask Erin Babnik, one of the leaders in the genre in the present day.
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If you want to take home print and contest-worthy photographs, t Read more. Winter Photo Tours in Iceland. A sky photo can be taken anywhere in the world, but the ground in front of you is what varies. Taking photos this way at sunset or sunrise will create more drama in the photo by elongating the shadows. These shadows provide contrast along with the textured areas of the foreground, by darkening one side and highlighting the other.
See the image of the Mesa Arch at the top of this section for an example of this effect, where the sunrise light accentuates this foreground. When your image needs that touch of drama. Wide-angle lenses are not useful when your subject is far away. This is because even the largest objects in the distance will look small when using a wide-angle lens. What pulls your attention into this scene? If so, find a way to use those lines and emphasize your subject. One of my favorite examples is desert photography.
This is a case where the wide-angle lens seems like the most obvious choice. But the fact is, you need to capture details and drama. Yet, wide-angle lenses make these same dunes look like anthills. Wide focal lengths often create distortion in the image. Notice that they are designed to distort and stretch perspective. So to use a wide angle correctly, to its advantage, you need to have something close to the lens.
Most of my favorite wide angle shots were taken within inches of the subject; right in the action. Now, look at the two images of the bike below.
In the one on the left nothing really stands out in the image. By getting even closer the bike is made more of the focus in the image. In order to make your shots more interesting, have more depth and perspective — you have to get closer. Try and get a subject really close to your lens, something else a medium distance away, and the background even farther.
This image above was shot from the hip literally as I crossed the street in NYC. I wanted the feel of the people coming at me. The finished image was cropped and processed like this:. To me it says true New York City. Busy, bustling, center of activity — and the wide angle lenses perspective puts the viewer right in the middle of it. Can you feel the chaos? As soon as you get close enough to make the subject larger — it will start to stand out.
So part of getting a clear subject is getting in tight. This one is closely related to mistake 1 above. When everything is equal distance from the lens it all looks small and insignificant. In this example series I started off with a 17mm again and a super low camera angle down on my elbows on the deck of the train trestle.
I wanted to emphasize the perspective with the converging lines of the tracks. Then I found a nail sticking out and focused on that. Even better it was backlit by the sun so it really stood out. All things working in my favour.
Photography is a journey. Do not expect to get your best shot on the first image you take. Work the scene, and shoot until it feels right.
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